Posts in photoshoot
Celebrating the Best Designers of Dallas - 2023 Paper City Design Awards

The winners of the 2023 Paper City Design Awards in Dallas were recently announced, and I am delighted that several of my design clients made it to the list! It's an honor to witness their hard work and dedication get recognized.

The 2023 Paper City Design Awards honors outstanding projects by the best interior designers and architects in Dallas and Fort Worth. The winners were selected from hundreds of submissions in 21 categories, and their projects represent the very best in Dallas.

WINNERS

Singular Space: Bath - Laura Lee Clark Interior Design.

Singular Space: Dining Room - Pickering House Interiors.

Singular Space: Living or Great Room, Entertainment, Recreation and Media Room - Chad Dorsey Design with additional recognition for Blume Architecture.

HONORABLE MENTIONS

Residential Landscape Design - Melissa Gerstle Design.

Residential Interior Design Under 3500 Square Feet - Heidi Arwine Interiors.

Singular Space: Living or Great Room, Entertainment, Recreation and Media Room - Laura Lee Clark Interior Design.

Use of Small Space - Powder Bath, Bar, Laundry, Foyer - Janet Gridley Design.

Congratulations to the winners at the 2023 Paper City Design Awards in Dallas! It's always a treat to see local designers and architects come together to showcase their incredible talents.

All interior photographs by Stephen Karlisch.

See all of the winners of the 2023 Paper City Design Awards here

Chad Dorsey Design with additional recognition for Blume Architecture.

New year new published featured shoots!

Excited to start 2023 with a national feature in the annual House Beautiful Small Spaces and a local feature in D Home! Congratulations and thank you to interior designers Tanner Morgan of Morgan Madison and Teddie Garrigan of Coco & Dash.


Magazine spread in House Beautiful featuring photos by Stephen Karlisch
Magazine spread in House Beautiful featuring photos by Stephen Karlisch
Magazine spread in House Beautiful featuring photos by Stephen Karlisch
Magazine spread in House Beautiful featuring photos by Stephen Karlisch

A couple of years ago I got a message from a young designer (Tanner Morgan) in Cleveland, wanting to discuss photographing a project he was working on. It was very early in the process for him, in fact none of the actual construction had even started at this point, but Tanner really wanted to make a connection with me and get me on board for this journey. I was a bit skeptical at first, not knowing anything about Tanner at that time and his online presence as a designer was limited, but he also was very young and excited to get going. His passion for this project quickly became evident and I was ready to go along on this ride. Through many calls, emails, facetimes and updates to the progress on this home, we brought in Frances Bailey, one of the world's top interior stylists, to soften the edges of this project and get it to a national editorial level. 

The three days we spent shooting this project was a highlight in my photography career. Being a part of the process from the beginning engaged my curiosity and brought out my best. We stayed out on this lake property in a charming guest house and enjoyed sunsets and sunrises together, bringing us all pretty close during that week. 

Tanner transformed this simple lake house into a showpiece, each room better than the last, and not one square inch left untouched. The details in every surface are remarkable, a testament to Tanner's own personal style, a character himself you will never forget. 

Writer: Kristen Flanagan
Photographer: Stephen Karlisch @stephen_karlisch_photo
Interior Designer: Morgan Madison Design @morganmadison__
Producer: Robert Rufino
Stylist and floral: Frances Bailey @francesfinds


Photo of living room interior by Stephen Karlisch in D Magazine
Photo of living room interior by Stephen Karlisch in D Magazine
Photo of living room interior by Stephen Karlisch in D Magazine
Photo of sitting room interior by Stephen Karlisch in D Magazine
Photo of bedroom interior by Stephen Karlisch in D Magazine
Photo of hallway interior by Stephen Karlisch in D Magazine

Teddie Garrigan, owner of a unique retail furniture/design shop in Dallas called Coco and Dash, reached out to me to photograph her apartment in Dallas recently. She lives in a high rise in Uptown, near the Katy Trail, that has been a favorite for many in the design world for years. They could do an HBO series about this place, seriously, full of character(s). 

Teddie and her daughter Courtney run the shop together and their interior design business, and I was thrilled to get the opportunity to document her home. From a life of travel and living in many foreign countries (she has a great story to tell!), she lives a collected life. Layers of color and texture rule her world, and I've rarely photographed a space that I've felt more at home in. Working with stylist Jenny O'Connor on this was the perfect mix. She was able to blend in some simple floral to accent the shots, but not overwhelm, and help move some items around to create perfect compositions from the cameras point of view. The apartment was glowing from so much natural light, being in a high rise with nothing around to block the sun, the rooms just come alive as the day moves on. It's always hard to pack up and leave a shoot like this one, so many more stories in there to be told, maybe I'll get a chance to get back in there someday soon.  

Writer: Kendall Morgan
Photographer: Stephen Karlisch @stephen_karlisch_photo
Interior Designer: Teddie Garrigan, Coco and Dash @cocoanddash
Stylist and floral: Jenny O'Connor @jennyoconnorstudio

Creating the Hero Shot
 

There is a lot of effort that goes into getting that perfect shot – the one with the WOW factor that really showcases your designs in the best way. Some people think those shots are kismet or that they just happen, but I can tell you that the level of energy that it takes to get even just one hero shot is enormous. 

Designer: Emily SummersPhotographer: Stephen Karlisch

Designer: Emily Summers

Photographer: Stephen Karlisch

But all that effort is so worth it. A shot like that can change your career. It can get your project published in the magazine you’ve always dreamed about. It can get you into a top-shelf design book. It can uplevel you to the client work you’ve always wanted. It can change everything. 

So what goes into creating a hero shot? Let’s take a look.

Designer: Chad DorseyStylist: Jenny O’Connor         Floral: Haile WossonPhotographer: Stephen Karlisch

Designer: Chad Dorsey

Stylist: Jenny O’Connor Floral: Haile Wosson

Photographer: Stephen Karlisch

Hire a Stylist

Yes, you are a fabulous designer and your project is probably amazing. But there is a very big difference between what your eye takes in when you are in a room and how that room translates onto a screen or a printed page. A great stylist can see things with a fresh eye and help you make the most of how your room looks digitally. He or she can also offer suggestions for styling for a specific publication you may be targeting. A good stylist will still stay within your aesthetic boundaries, but also knows how to take it up a notch. 

Designer: Michelle NussbaumerPhotographer: Stephen Karlisch

Designer: Michelle Nussbaumer

Photographer: Stephen Karlisch

Be Honest

You know that not every single room in your project is spectacular. That’s really rare and it has nothing to do with your talent. Often there are just some rooms that your client may not have wanted to invest in. Or maybe the budget only allowed for an incredible 2-3 rooms and 4 or so other rooms that are good, but not spectacular. Be very honest with yourself about which rooms are so well-designed that they will make a big impact once they’re photographed. Shooting every single room like it’s a hero shot isn’t often worth the time we’ll put into it. 

Designer: Lucas EilersPhotographer: Stephen Karlisch

Designer: Lucas Eilers

Photographer: Stephen Karlisch

Invest in Experience

There are a lot of very good photographers out there. But just because they know their way around a camera doesn’t mean they know how to properly light and shoot your project. So invest in a photographer who really understands how to get the best interior photos. Go through their portfolio to see who they’ve worked with and what their photos look like. Have they been published in top magazines and in design books? Do their photos showcase an understanding of light and space and style? Invest in a photographer who can give you those incredible shots that you’re looking for.

Patience Is a Virtue

Understand that those hero shots take time. Sometimes a lot of time. We could spend a whole day on 5 shots – but each one of those shots is going to be incredible. Remember that getting a great photo isn’t just a click of the camera. We move lighting and furniture,  we’ll work with the styling, we’ll tweak, we’ll study the shot, and we’ll tweak again. It takes time. I’m a fast photographer, so on a normal day, I can do about 30 minutes per shot, or maybe 15+ shots per day. But remember that I said “shots,” not rooms. So if we do several angles of the same room, that means we might do 4-6 rooms in a day. And not all of those shots will be hero shots. Understand that if you ask the photographer to move faster, then you might get good shots, but maybe not great shots. Taking the time during the photo session means that you’ll have more photos to work with later.

Designer: Celerie KemblePhotographer: Stephen Karlisch

Designer: Celerie Kemble

Photographer: Stephen Karlisch

Make a List

And to be as efficient as possible, once you’ve decided which rooms are the most important, start creating an in-depth shot list. Do you need detail shots? How many? Which angles? What rooms can go to the bottom of the list if we run out of time? Even think about how we’ll move through the house – a quick path that doesn’t move us up and down stairs or across a house will save you a lot of time. You may want to try to do some styling ahead of time so we’ll be able to move quickly once we’re shooting, and always consider the sun (utilize as much natural beautiful light as possible).

Use these tips to help you and your photographer snap those perfect hero shots. They will definitely help get your work noticed by editors and your target clients.

Have you planned out your next shoot for your marketing this year? We want to hear from you.

 
2020 Year in Review (Press!)
 

No matter what, 2020 will be a year to remember. It reminds me of that quote about “the best of times and the worst of times.” Despite the pandemic and shutdowns, it was still a good year for the interiors business. I am so grateful to so many talented clients and was honored to have my photographs showcased on many shelter magazine covers and in several books. The years highlight was being selected to be the official photographer for the first Kips Bay Showhouse in Dallas

At the end of one year and the beginning of another, I think it’s important to look back at pivotal moments in the past 12 months and to celebrate successes. It gives me the motivation to push myself even more creatively and to set challenging goals for the new year. So here’s a look at the year in review for my studio:

PUBLISHED BOOKS

I was so excited to be a part of the Lucas Eilers book Expressive Interiors, published by Rizzoli. In 2019 going into 2020 I traveled with the designing duo of Sandy Lucas and Sarah Eilers to Charleston, Park City, Galveston plus the hill country, and their hometown of Houston to shoot projects specifically for this book. Because of my work with them and other designers, I am always now encouraging all designers I work with to understand how valuable and important it is to always think about how any shoot would look in a book format somewhere down the line.  

I have loved working with iconic designer Jan Showers over the past 20 years, so I was honored to be able to shoot for her again for her newest book Glamorous Living, published by Abrams in the fall. We worked with Jan a few years ago on her book Glamorous Rooms and a few months ago at the Kips Bay Showhouse in Dallas. She’s an incredible and gracious designer and we’re lucky to be able to collaborate with her.


As if that wasn’t enough book love, I also had a photograph featured from the designer Robert Passal shoot in the gorgeous new book de Gournay: Hand-Painted Interiors. It’s a gorgeous celebration of the company’s historic and modern collections of wallpaper, fabric, and porcelain. 

COVERS + EDITORIAL

We have a great track record in the studio of getting our work published. And this year was no exception, but what was incredible for us was the number of covers our work garnered. Celerie Kemble of Kemble Interiors began the year with making the cover and a feature in NY Cottages and Gardens from our NY shoot Park Avenue residential shoot. Our photo of a kitchen designed by Jean Liu Design was on the cover of House Beautiful.

A living room we shot for Emily Summers made the cover of Modern Luxury Interiors. A Hill Country home by Deb Baxter of Baxter Design Group also made the cover of Luxe Austin + San Antonio. And a fantastic set table in a dining room by Cullman & Kravis was featured on the cover of Southern Home

In a time of Covid and economic ups-and-downs, it can be tempting to drop your marketing or decide not to earmark money for professional photo shoots. But I can tell you that would be a big mistake. Shooting your projects is a must for your portfolio and your image marketing. And the local and national exposure is critical for your business. Our photography for leading designers has definitely helped them increase their brand awareness and their businesses in a crazy year.

We’ve had photographs published in almost too many publications in 2020 to name, but here are a few:

And so many more including an abundance of on-line media. It was a great year for publishing in our studio. We can help you with your image marketing and publishing goals in 2021 – just contact us by clicking here.


PROJECTS + APPEARANCES

This was a year like no other when it came to large-scale photo shoots and speaking engagements – we had to do things a little differently. I shot catalogs and campaigns for both Sutherland and Perennials this year. And with Perennials we had to rethink our process since it was the Summer of Covid. You can see the entire three issues and read how we pulled it off by clicking here

I love public speaking, especially when I can talk to interior designers. This year we went virtual, including a keynote at the Decorative Center in Houston with Lucas Eilers to talk about their book a couple of weeks ago. I had a great time talking with designer Traci Zeller about tips to take your photography to the next level – it was a keynote for the High Point Market. Also for High Point Market in the fall, I shared a virtual stage with Chad Dorsey to talk about getting the most out of your photography budget. 

Podcasts have also become more important than ever for our studio. It’s another great way to talk photography and get the word out about how important image marketing is. I’ve loved talking to great experts in several field, like Kaleigh Wiese and Jane Dagmi. We’re hoping to move to more live interviews and appearances in 2021, but I think we’ll still have a few digital months to go before that happens.


AND NOW TO 2021

So what’s next? The new year starts with a full calendar of shoots of completed projects around Texas and Oklahoma. Due to Covid, shoots have been juggling around for months and we are now making up past ones and newly scheduled ones. We expect the next six months to be full and continue with caution. Hoping travel starts back up by second part of the year to work with clients again around the country. Please visit our blog post on tips about photographing your projects during a pandemic. We already have a few fun things lined up for the new year, including a BIG project we’ve been keeping under wraps. We’re not quite ready to reveal it yet, but look for an announcement early 2021!


If you’re ready to book with us for a 2021 shoot, be sure to contact us as soon as you can. We’re ready to help you reach your image marketing goals and intentions for the new year!

 

 
Tips for Photographing Your Projects During a Pandemic
 

Interior designers across the country are incredibly busy – even during a pandemic. With everyone working, playing, vacationing, and learning at home, people are laser-focused on renovating and improving their houses. So now you have all of these amazing projects completed and you want to photograph them. But can you do that in a pandemic? With the right planning, you definitely can. It just takes a little ingenuity. 

I’ve shot many projects safely since the pandemic first hit, including a huge shoot for the Kips Bay Showhouse in Dallas and a Perennials campaign shoot.

StephenKarlisch.jpg

Here are my tips for getting the photos you need while still staying safe and sane.  

Make a Plan

The most important thing you can do for an effective photo shoot is preplanning. That’s true during non-pandemic times, but it’s especially important today. Do a walkthrough on installation day with your photographer, even if you have to do it on Facetime or Zoom. That initial walkthrough will help you identify the best angles and shots, and where you may need more styling. Create an in-depth shot list that efficiently moves the team around the home. And give up on any angles or shots that just don’t work. This type of photo shoot is about getting the best photos you can in a short amount of time - in and out. Know what the hero shots are, and know what can be dropped from the list.

Family Out

It is never a good idea to have a family in the home during a photo shoot. But it’s a really bad idea to expose your photographer, team, and clients to each other in a pandemic. The question is: How to get them out when they don’t really have anywhere they can safely go. This is where you’ll have to be creative and possibly spend a little money. First, if your clients have a second home or vacation home, see if you can schedule the shoot when they’re away. If they don’t, you could always rent an AirBNB for them for the day – preferably in a fun place that will entertain them and the kids. You could also rent a movie theater for the day. Lots of theaters are renting themselves out at $99 to make some money during shutdowns. That’s a small price to pay to get your clients out of the way. Be inventive and think of ways to please your clients and clear the home for the shoot.

Keep It Clean 

One way to make your clients and team members feel more comfortable with a photo shoot is to spell out cleaning procedures for before and after the team is in the home. Hiring a cleaning crew that will sanitize surfaces and floors is smart and will show your clients that their safety is top of mind for you. Masks for all crew are a given, but they should also wear gloves in the home and should remove their shoes outside the door before they enter. And there should be a lot of hand sanitizer available. The key is to be sure you communicate all of that to your client when you’re scheduling the shoot. You want them to see that you’re committed to making this a safe event for all, especially the family that lives in the home.

Smaller Team

You and the photographer should work with the smallest team possible. Fewer people mean less exposure. And some states are moving to very strict rules on how many people can be in a group at one time. Understand that each person at the shoot (including YOU) may have to double up on their duties, but that’s a small price to pay to keep everyone safe. If you can keep the group to a stylist, a photographer, an assistant and you, that would be the best-case scenario for all involved. Each person should also bring in their own snacks and drinks for the day. No using plates, cups, or other items in the home. Period.

Moving Along

On the day of the photo shoot, be prepared to have windows and doors open to move the air around. Fresh air has been shown to reduce exposure risks, so if it’s cool outside you may have to crank the heat and layer your clothing. Also use freestanding and ceiling fans to move that air. And be aware of distance as much as possible. We provide our clients with their own personal iPad to review the images so there is no need to share my computer. You can come into the room to adjust something, but then move at least 8 feet away from anyone else while the photographer is shooting.  


If you’re still concerned, you could also ask for all team members to have a COVID test before the shoot – but that’s up to you. Following the tips above will help you be as safe as you can be during a pandemic, while still getting the photos you need to market your business. I’m definitely aware of how important both of those goals are and I’ve had a lot of experience at shooting during a pandemic. Give my team a call if you want to work with us in the coming months to safely get the best photos of your projects.