Posts tagged Celerie Kemble
Creating the Hero Shot
 

There is a lot of effort that goes into getting that perfect shot – the one with the WOW factor that really showcases your designs in the best way. Some people think those shots are kismet or that they just happen, but I can tell you that the level of energy that it takes to get even just one hero shot is enormous. 

Designer: Emily SummersPhotographer: Stephen Karlisch

Designer: Emily Summers

Photographer: Stephen Karlisch

But all that effort is so worth it. A shot like that can change your career. It can get your project published in the magazine you’ve always dreamed about. It can get you into a top-shelf design book. It can uplevel you to the client work you’ve always wanted. It can change everything. 

So what goes into creating a hero shot? Let’s take a look.

Designer: Chad DorseyStylist: Jenny O’Connor         Floral: Haile WossonPhotographer: Stephen Karlisch

Designer: Chad Dorsey

Stylist: Jenny O’Connor Floral: Haile Wosson

Photographer: Stephen Karlisch

Hire a Stylist

Yes, you are a fabulous designer and your project is probably amazing. But there is a very big difference between what your eye takes in when you are in a room and how that room translates onto a screen or a printed page. A great stylist can see things with a fresh eye and help you make the most of how your room looks digitally. He or she can also offer suggestions for styling for a specific publication you may be targeting. A good stylist will still stay within your aesthetic boundaries, but also knows how to take it up a notch. 

Designer: Michelle NussbaumerPhotographer: Stephen Karlisch

Designer: Michelle Nussbaumer

Photographer: Stephen Karlisch

Be Honest

You know that not every single room in your project is spectacular. That’s really rare and it has nothing to do with your talent. Often there are just some rooms that your client may not have wanted to invest in. Or maybe the budget only allowed for an incredible 2-3 rooms and 4 or so other rooms that are good, but not spectacular. Be very honest with yourself about which rooms are so well-designed that they will make a big impact once they’re photographed. Shooting every single room like it’s a hero shot isn’t often worth the time we’ll put into it. 

Designer: Lucas EilersPhotographer: Stephen Karlisch

Designer: Lucas Eilers

Photographer: Stephen Karlisch

Invest in Experience

There are a lot of very good photographers out there. But just because they know their way around a camera doesn’t mean they know how to properly light and shoot your project. So invest in a photographer who really understands how to get the best interior photos. Go through their portfolio to see who they’ve worked with and what their photos look like. Have they been published in top magazines and in design books? Do their photos showcase an understanding of light and space and style? Invest in a photographer who can give you those incredible shots that you’re looking for.

Patience Is a Virtue

Understand that those hero shots take time. Sometimes a lot of time. We could spend a whole day on 5 shots – but each one of those shots is going to be incredible. Remember that getting a great photo isn’t just a click of the camera. We move lighting and furniture,  we’ll work with the styling, we’ll tweak, we’ll study the shot, and we’ll tweak again. It takes time. I’m a fast photographer, so on a normal day, I can do about 30 minutes per shot, or maybe 15+ shots per day. But remember that I said “shots,” not rooms. So if we do several angles of the same room, that means we might do 4-6 rooms in a day. And not all of those shots will be hero shots. Understand that if you ask the photographer to move faster, then you might get good shots, but maybe not great shots. Taking the time during the photo session means that you’ll have more photos to work with later.

Designer: Celerie KemblePhotographer: Stephen Karlisch

Designer: Celerie Kemble

Photographer: Stephen Karlisch

Make a List

And to be as efficient as possible, once you’ve decided which rooms are the most important, start creating an in-depth shot list. Do you need detail shots? How many? Which angles? What rooms can go to the bottom of the list if we run out of time? Even think about how we’ll move through the house – a quick path that doesn’t move us up and down stairs or across a house will save you a lot of time. You may want to try to do some styling ahead of time so we’ll be able to move quickly once we’re shooting, and always consider the sun (utilize as much natural beautiful light as possible).

Use these tips to help you and your photographer snap those perfect hero shots. They will definitely help get your work noticed by editors and your target clients.

Have you planned out your next shoot for your marketing this year? We want to hear from you.

 
2020 Year in Review (Press!)
 

No matter what, 2020 will be a year to remember. It reminds me of that quote about “the best of times and the worst of times.” Despite the pandemic and shutdowns, it was still a good year for the interiors business. I am so grateful to so many talented clients and was honored to have my photographs showcased on many shelter magazine covers and in several books. The years highlight was being selected to be the official photographer for the first Kips Bay Showhouse in Dallas

At the end of one year and the beginning of another, I think it’s important to look back at pivotal moments in the past 12 months and to celebrate successes. It gives me the motivation to push myself even more creatively and to set challenging goals for the new year. So here’s a look at the year in review for my studio:

PUBLISHED BOOKS

I was so excited to be a part of the Lucas Eilers book Expressive Interiors, published by Rizzoli. In 2019 going into 2020 I traveled with the designing duo of Sandy Lucas and Sarah Eilers to Charleston, Park City, Galveston plus the hill country, and their hometown of Houston to shoot projects specifically for this book. Because of my work with them and other designers, I am always now encouraging all designers I work with to understand how valuable and important it is to always think about how any shoot would look in a book format somewhere down the line.  

I have loved working with iconic designer Jan Showers over the past 20 years, so I was honored to be able to shoot for her again for her newest book Glamorous Living, published by Abrams in the fall. We worked with Jan a few years ago on her book Glamorous Rooms and a few months ago at the Kips Bay Showhouse in Dallas. She’s an incredible and gracious designer and we’re lucky to be able to collaborate with her.


As if that wasn’t enough book love, I also had a photograph featured from the designer Robert Passal shoot in the gorgeous new book de Gournay: Hand-Painted Interiors. It’s a gorgeous celebration of the company’s historic and modern collections of wallpaper, fabric, and porcelain. 

COVERS + EDITORIAL

We have a great track record in the studio of getting our work published. And this year was no exception, but what was incredible for us was the number of covers our work garnered. Celerie Kemble of Kemble Interiors began the year with making the cover and a feature in NY Cottages and Gardens from our NY shoot Park Avenue residential shoot. Our photo of a kitchen designed by Jean Liu Design was on the cover of House Beautiful.

A living room we shot for Emily Summers made the cover of Modern Luxury Interiors. A Hill Country home by Deb Baxter of Baxter Design Group also made the cover of Luxe Austin + San Antonio. And a fantastic set table in a dining room by Cullman & Kravis was featured on the cover of Southern Home

In a time of Covid and economic ups-and-downs, it can be tempting to drop your marketing or decide not to earmark money for professional photo shoots. But I can tell you that would be a big mistake. Shooting your projects is a must for your portfolio and your image marketing. And the local and national exposure is critical for your business. Our photography for leading designers has definitely helped them increase their brand awareness and their businesses in a crazy year.

We’ve had photographs published in almost too many publications in 2020 to name, but here are a few:

And so many more including an abundance of on-line media. It was a great year for publishing in our studio. We can help you with your image marketing and publishing goals in 2021 – just contact us by clicking here.


PROJECTS + APPEARANCES

This was a year like no other when it came to large-scale photo shoots and speaking engagements – we had to do things a little differently. I shot catalogs and campaigns for both Sutherland and Perennials this year. And with Perennials we had to rethink our process since it was the Summer of Covid. You can see the entire three issues and read how we pulled it off by clicking here

I love public speaking, especially when I can talk to interior designers. This year we went virtual, including a keynote at the Decorative Center in Houston with Lucas Eilers to talk about their book a couple of weeks ago. I had a great time talking with designer Traci Zeller about tips to take your photography to the next level – it was a keynote for the High Point Market. Also for High Point Market in the fall, I shared a virtual stage with Chad Dorsey to talk about getting the most out of your photography budget. 

Podcasts have also become more important than ever for our studio. It’s another great way to talk photography and get the word out about how important image marketing is. I’ve loved talking to great experts in several field, like Kaleigh Wiese and Jane Dagmi. We’re hoping to move to more live interviews and appearances in 2021, but I think we’ll still have a few digital months to go before that happens.


AND NOW TO 2021

So what’s next? The new year starts with a full calendar of shoots of completed projects around Texas and Oklahoma. Due to Covid, shoots have been juggling around for months and we are now making up past ones and newly scheduled ones. We expect the next six months to be full and continue with caution. Hoping travel starts back up by second part of the year to work with clients again around the country. Please visit our blog post on tips about photographing your projects during a pandemic. We already have a few fun things lined up for the new year, including a BIG project we’ve been keeping under wraps. We’re not quite ready to reveal it yet, but look for an announcement early 2021!


If you’re ready to book with us for a 2021 shoot, be sure to contact us as soon as you can. We’re ready to help you reach your image marketing goals and intentions for the new year!

 

 
The Art of the Environmental Portrait
Designer Thomas Pheasant catching the morning light in his living room in Georgetown, DC.

Designer Thomas Pheasant catching the morning light in his living room in Georgetown, DC.

People always ask me what is your favorite thing to photograph? Easy, I’ll take an environmental portrait any day. Why? I get to combine my love of shooting interiors with spending time and meeting people usually in a place that is personal and meaningful to them. I get to see a part of their life that many people don’t. One on one on their turf, both intimidating and thrilling at the same time. Throw in the pressure of having to create a portrait that is timeless and tells a little story of who they are, in the blink of an eye or fraction of a shutter click on my camera.

Lela Rose at home in Tribeca

Lela Rose at home in Tribeca

In most of these images I’ve never met my subjects or set foot in their home, so the first thing I’m trying to do is quickly scan the location for the best light and what jumps out at me visually. I tend to shoot most portraits utilizing natural light, and am as low tech as possible to keep things from getting too complicated and stressed. The last thing I want is to look awkward fumbling around with any equipment or analyzing a strobe while they are waiting.

Designer Celerie Kemble in NYC

Designer Celerie Kemble in NYC

Photographing Celerie Kemble at home was a great collaboration. The shot on the right in green was a guest room in her home that we reorganized and styled with floral and art for the shot. And her clothing options were on hand to help us decide which outfit was best for the scene(I think we actually shot three versions). Then the shot on the left was at the end of the shoot when I wanted to get some more casual shots of her, more fitting of her personality and style.

Usually I find myself wanting to shoot the entire home, positioning the subject in the spaces sometimes blending in as part of the art and architecture themselves.

Sam Saladino in his living room in Oak Cliff, Texas

Sam Saladino in his living room in Oak Cliff, Texas

Bronson Van Wyck at home, NYC

Bronson Van Wyck at home, NYC

Depth in an image is crucial for a successful shot. Choosing the right lens and camera position in a tight space can make all the difference between a cramped, distorted shot and a visual treat where you can’t stop looking. The image of Bronson Van Wyck above in his hallway bar at home in NYC was a super tight squeeze for me, but choosing a wide lens to bring it all in to play to showcase the volume of the space and positioning him in a casual pose looking off camera, smoking, gives you the sense you are in the space with him, enjoying a conversation. Below Sam Saladino finds a spot on the floor with his cat, blending in to the maximalist surroundings of his collected home in Dallas.

Sam Saladino on the floor in his Oak Cliff home

Sam Saladino on the floor in his Oak Cliff home

I’ll wrap all this up with one of my favorite images from a shoot with musician/songwriter Peter More in his family home in Ft. Worth, Texas. I shot with an old medium format film camera for this shoot, adding an element of mystery to the shoot not knowing what the film would look like, but shooting film is worth it for the thrill of seeing it come out better than you expected.

Musician Peter More, Ft. Worth, Texas. Published in Rolling Stone, Flood Magazine and numerous others.

Musician Peter More, Ft. Worth, Texas. Published in Rolling Stone, Flood Magazine and numerous others.

Published! Celerie Kemble NYC Condo Project

One of the highlights of shooting last year was getting the opportunity to work with Celerie Kemble again on the “Super Chic!” Park Avenue condo in NYC. Celerie brings a polished aesthetic to any project, and along with Project Designer Samantha Bisger they helped transform a traditional Park Avenue space into light filled tree-house. Complete with an exquisite handpainted botanical print wallpaper by Gracie studio that is featured in the dining room which overlooks a courtyard space. The living room is adorned with an equally stunning custom silk by de Gournay wall covering this space has a lightness to it that is as calming and peaceful to look at as it was to shoot.

To top off the amazing shoot it was picked up and ran as the cover for New York Cottages and Gardens magazine. Check out some of the printed story below, along with all the files from the shoot. It’s always nice to see a project end up in print, and to see how the graphic design elements of type and layout